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At ground level, the gallery's front terrace and lower walkway are connected via the interior space. The materials include wooden floors and extruded Lay Light by Fiberline profiles, providing every surface with a warm glow and linear texture — from the mesh of woven glass fibers to the undulating lines of the grain of the wood.

Site — The pavilion is positioned perpendicular to the gallery. Towards the north-south, it is entirely transparent and practically immaterial. The Wall — Exploration of a basic architectural element: the brick wall. The interior pavement is shaped by the curve of the walls, extending on both ends to provide a smooth transition between interior and exterior.

The north-south elevation of the Pavilion is a perfect rectangle. Rather than clay bricks or stone blocks — the wall is erected from extruded fiberglass frames stacked on top of each other. When invited to design the Serpentine Pavilion, BIG decided to work with one of the most basic elements of architecture: the brick wall.

BIG has grown organically over the last two decades from a founder, to a family, to a force of Our latest transformation is the BIG LEAP: Bjarke Ingels Group of Landscape, Engineering, Architecture, Planning and Products. Interior Space — Usable space is defined by hand-clearance height.

View all. Consumer products. The unzipping of the wall turns the line into a surface, transforming the wall into a space.

Serpentine Pavilion BIG Bjarke : The sum of our

The simple manipulation of the archetypical space-defining garden wall creates a presence in the Park that changes as you move around it and through it. Spatial Wall — The boxes slide inwards and outwards in a checkerboard pattern, unfolding in two layers. At the foot of BIG HQ, BIG’s Landscape team has transformed a former parking area into a 1, m2 public park and promenade, inspired by the sandy beaches and the coastal forests of Denmark.

As a result, the structure embodies multiple aspects that are often perceived as opposites: a structure that is free-form yet rigorous, modular yet sculptural, transparent and opaque, box and blob. The east-west elevation is an undulating sculptural silhouette.

At the top, the wall appears like a straight line, while the bottom of it forms a sheltered valley at the entrance of the Pavilion and an undulating hillside towards the park.

Wall Structure — Boxes and profiles are arranged in an orthogonal grid. As a result, presence becomes absence, orthogonal becomes curvilinear, structure becomes gesture and box becomes blob. Unzip — The single wall is pulled apart in a checkered pattern, creating two elevations.

A complex three-dimensional environment is created that can be explored and experienced in a variety of ways: inside and outside. Wall Components — The wall consists of 1, glass fiber boxes mm x mm with 2, cruciform aluminum extrusions.

Since joining BIG in as Chief Financial Officer, overseeing the development of the organization and its strategic priorities, Sheela has transformed BIG from Bjarke Ingels’ Danish architectural firm into an internationally acclaimed company led by design, community and innovation.

Towards the east-west, the Pavilion is completely opaque and material. Wall Becomes Space — The straight wall transforms into two sine curves with an undulating interior.